The semester's end is fast approaching and there are only two weeks left in my Telenovelas class. Yesterday we had a special guest via phone: talented actor, director and writer, Daniela Bascopé, who shared with us her time and experiences.
A few weeks ago, Daniela received the Best Actress Award in the Venezuelan Film Festival in Mérida for her role in film Al Borde de la Línea:
Below, a list of the telenovelas in which she has appeared and the names of her characters:
Ciudad Bendita (2007)- Fedora
El Amor las vuelve Locas (2006)- Rosaura
La Soberana (2002)- Cherry
Toda Mujer (1999)- Elízabeth
Daniela talked to us about the hardest character she ever played (was in film), how her acting experience is a great asset for her work as director, and the way real life inspires the films she writes and directs.
When we asked her if, as an actress, she felt any difference between working in a telenovela "rosa" (most of the telenovelas she's worked in are "rosa") or in a more "verista" telenovela (like Ciudad Bendita), Daniela explained that in the traditional telenovela rosa, a character's lines are more farfetched and less realist than in telenovelas like the ones Leonardo Padrón writes. She also mentioned that in the traditional telenovela, actors must handle situations that are even contradictory, where their characters don't follow a logic line. In contrast, in telenovelas "veristas" or "de ruptura", the words and actions of the characters tend to be more realistic.
Daniela's words resonated with me and echoed those of the many actors I've interviewed during my research. In particular, throughout Ciudad Bendita, many actors told me that their character was a "pleasure" because it was "served" to them.
In sum, it was a special class thanks to our special guest. My students and I sendour sincere gratitude to Daniela.