Today I was planning to write about the latest in a string of new Venezuelan telenovelas, Torrente (Venevisión). However, I'm going to postpone my analysis for a few days because I must note a review about my book, Venezuela es una Telenovela that was published today in Venezuela's most read newspaper, Ultimas Noticias. The review's author is respected literature and performing arts critic E.A. Moreno-Uribe, who's also the author of one the blogs I visit and respect most, El Espectador.
Her tastebuds will never forget the flavors of black beans, arepas and plantains that she ate for decades with her family, even though she cooks them in her home in the United States--Athens, Georgia, where she has lived with her husband and children for the past 14 years. She comes periodically to Caracas, where she was born 50 years ago, to recharge her batteries, test her memories and also her feelings. More importantly, her research on telenovelas also keep her eyes fixed on this city.
She does not want to write a telenovela or to teach how to do it. She is a researcher interested in the links between media, culture and society, which she teaches in the College of Journalism and Mass Communication at the University of Georgia. Her book is a polished academic work in which she applies theoretical models to understand the production, representation, identity, consumption and regulation of telenovelas. She does not want to demonstrate anything, but to study the impact and social phenomenon that each telenovela is....
Fifteen months of fieldwork, plus two years of analysis and writing make her book, Venezuela es una telenovela. It is obligatory reading for those who want to know the truth of that fantastic entertainment genre.